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You're watching a movie and you see this great scene where the protagonist is about to talk to the bad guy. The villain sneaks up, and you think: I've got him! But then the dialogue starts and all your hard work goes out the window. This is not just a movie thing — we've all been there. We’ve all fallen prey to these terrible lines so often that they become part of our pop culture, even though they're terrible at discussing relationships, fighting battles, or navigating conflicts. As we enter the 21st century, we need to know that we're invulnerable to these bad dialogue mistakes. Fortunately, we can avoid them easily: follow these tips and master the art of dialogue like a master. So it is time to tell you, once and for all: All dialogue is not created equal. There are good lines and there are bad lines. If you can't tell them apart... Our brains have filters so that what they hear is only the good stuff. This works quite well for us. It's fine if you get to hear something like "I'll make it work." That's not terrible. But if you get to hear "This is the last time this happens" ... that is terrible, and you'll never make it through life! 'Bad Dialogue' doesn't necessarily mean that the dialogue was bad, but rather that the writer gave them something that they couldn't do with their natural voice or their natural words. This usually happens because of poor writing, lack of writer insight, poor research, or just plain laziness on behalf of whoever wrote the dialogue. The end product is an utter failure at conveying information clearly in a way that feels natural for both actors and viewers alike. In an ideal world, our audiences wouldn't have to have their intelligence insulted because of bad dialogue. In this writer's opinion, there are three types of bad dialogue lines: Restraint is key. Teach them a lesson without being too wordy. Don't force words into people's mouths that don't belong there. And while you're at it, do them a favor and teach yourself a lesson too! You can always convey intent while still giving your character personality and personality while still having them sound like a normal person would sound. It is hard, but it can be done. A lot of us get so caught up in trying to say the perfect thing that we forget how to get exciting things across with fewer words. Sure, you have a whole movie or book or whatever, but 'many' don't. So sometimes it's good to know when something sounds good and effectively informative while being a bit on the shorter side. It's almost like a reward for your audience! That's not a bad thing at all, sometimes audiences want that kind of interaction with their media. One of the cardinal sins of dialogue is going into too much detail about everything. cfa1e77820
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